My 2 1 2 Year Old Hits His Baby Sister The ’90’s: When the Ladies Came Out to Play

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The ’90’s: When the Ladies Came Out to Play

’90s music was great. It seems to me that the decade was like a petri dish full of experimental organisms. Some grew and flourished quickly, only to suddenly weaken and die, i.e. the meteoric rise and then sudden demise of Grunge. Others, such as the Rap and Hip-Hop movement, which grew and never waned. Then of course there were some old standards and newcomers. However, one thing was true in the ’90s. The women artists of the time, many new ones, came to the fore like never before. Unlike the teenage “girl bands” of the late ’50s and early to mid-’60s, who had almost no say in their own careers. Or ’70s female rockers like the ‘Runaways’ and ’80s girl groups and performers like former Runaways member Joan Jett (who smoked with the hit I Love Rock ‘n’ Roll), and later Lita Ford’s hit with ‘Kiss Me Deadly’, followed by the West Coast ‘Go-Go’s’ and the ‘Bangles’ who, yes, played their own instruments, but left as quickly as they came.

Sure, there was Janis Joplin in the ’60s, along with singer songwriters Carly Simon, Carole King and Helen Reddy in the early to mid-’70s, who spread the message of “girl power” 20 years before the term was coined. The ‘Heart’ group, with sisters Ann and Nancy Wilson (Ann on the mic and Nancy on lead guitar) more than proved they could rock like the boys, then navigated the wrong side of the music business to take over. to theirs orchestra management. Despite these honorable accolades, the ’90s were the decade when an army of female artists came to the center of attention more consistently than ever before.

Since I haven’t mentioned her name yet, the first to be mentioned is the reigning “queen of pop”, Madonna. Her 1990 single “Vogue” was a hit on both the pop and dance charts. Even that year, however, a stranger tugged at the queen’s dress. An Irish import with a pretty face and a bald head, yes, I know, sounds like a joke. But Sinead O’Connor was anything but. “Nothing Compares to You,” written by Prince, was a chart-topping monster. The music video for the tune was equally popular. With only that beautiful face on display, O’Connor gave an emotional performance never before seen in a music video. The sensation behind the song naturally died down, and it would become O’Connor’s only American hit.

Another female artist who pulled on these robes had the octave range of an opera star and the beauty and sensuality of a top model. I’m talking about Mariah Carey, of course. Between 1990 and 1996, Carey had 7 top 10 hits, including 3 #1s with “Hero”, “Fantasy” and the smash hit “One Sweet Day” with R&B group Boyz to Men recorded. In ’93, female R&B group ‘En Vogue’ and female rappers ‘Salt ‘n’ Pepper’ teamed up with their chart-topper, ‘Whatta Man’. In the same year, another new girl, Sheryl Crow, entered the music scene with the very popular hit “All I Wanna Do”.

The female protagonists mostly made their mark in all the male ensembles as well. Irish band ‘The Cranberries’ lead Dolores O’Riordan can go from a sweet and mellow ballad like ‘Linger’ to a serious rocking whaler like ‘Zombie’. R&B group ‘The Fugees’ had a huge hit with their cover of Roberta Flack’s classic ‘Killing Me Softly’, starring sweet, soulful Lauryn Hill. The angelic-faced Gwen Stefani, leader of the band No Doubt, had a big hit with the hit “Don’t Speak”. Country music also had its queens. The ever-gorgeous Faith Hill has been a favorite of country music fans since 1993, but later scored major crossover hits from her 1998 hit album This Kiss and Breathe. Faith. 13-year-old LeAnn Rimes hails from the land of nowhere with her country smash “Blue.” Despite her young age, her powerful voice immediately drew comparisons to legendary country star Patsy Cline. In ’97, Rimes hit it big again with the crossover hit “How Do I Live”. The song broke Billboard’s record for 69 weeks on the charts.

However, the greatest “crossover queen” of the ’90s was Shania Twain. From 1993, when his own debut album was released, to his third album, The Woman in meReleased in ’97, Twain had a string of chart-topping country and pop hits. The man worked wonders, Meredith Brooks and Australian soap star Natalie Imbruglia also had their moments in the sun. Brooks paying homage to femininity despite the song’s title, “Bitch,” and Imbruglia with his hit “Torn.” In 1997, the country caught on to “girl power” when British import The Spice Girls hit the music scene. With the hits “Wannabe” and “2 Become 1”, the 5 beauties were the toast of the music world for a short time.

Jewel Kilcher, better known as Jewel, went from van-dweller to pop superstar on the charts with her debut album in 1995. Pieces of you. The multi-platinum record spawned three major hits, “Who Will Save Your Soul,” “You Were Meant for Me” and the haunting ballad “Foolish Games.” The 21-year-old singer/songwriter and poet was a modern-day throwback to ’70s female performers like Carole King and Carly Simon. Her melodious voice and soulful lyrics were created Pieces of you one of the best-selling debut albums of all time. Cut from the same talented cloth is another amazing singer/songwriter, the redheaded and beautiful Sarah McLaughlin. After three successful albums in his native Canada, McLaughlin turned his sights south of the border to the states, releasing in 1997. Coloring. The album was a critical and commercial success. The most that the 29-year-old artist has experienced so far. Hits like “Building a Mystery” and the heart-wrenching “Angel” were inspired by Smashing Pumpkins keyboardist Jonathon Melvoin’s fatal overdose. Coloring selling over 11 million copies in the US.

Well, the woman I believe has taken the Queen of Pop crown (if only for a little while) is Alanis Morrisette. from Canada, his first American album, A little broken pillReleased in 1995, the pop audience had no problem swallowing it. The album spawned six chart-toppers including “You Outta Know”, “Hand in My Pocket”, “You Learn” and the mega hit “Ironic”. Morrisette, with him Tablet, was a juggernaut. It sold 16 million copies in the United States and 33 million copies worldwide. Tablet became the best-selling debut album by a female artist in US history and the third best-selling album worldwide. With numerous awards and adoring fans around the world, Morrisette was at the top of the music industry. He never achieved that popularity and success A little broken pill brought in the ’90s. It’s true….fame is fleeting, but music is eternal. And so are the artists who performed it. Come on ladies.

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