What Is The Longest A 1 Month Old Should Sleep Language Before Music – Music Before Language?

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Language Before Music – Music Before Language?

So what if…

Did you see the sound?

Did you hear the thought?

could you smell the right way?

What if it was spirals…

It is very likely that human predecessors intuitively understood that the world was formed around spirals and responded to the perception of sound much more holistically with a body-mind connection.

Recently (early 2009) the little furry mutants in Leipzig started making slightly lower ultrasonic whistles.

This was the result of an experiment conducted at the Max Planck Institute for Evolutionary Anthropology in Leipzig, Germany. The scientists ambitiously created a mouse strain that contains a variant of the human FOXP2 gene.

It is a gene involved in several critical functions, including human language ability.

Not surprisingly, a recent comparison of mice with the new gene in place showed that these mice communicate with each other differently, using slightly lower-pitched ultrasonic whistles. What’s even more intriguing: the neurons they grow in one area of ​​the brain are significantly more complex than in intact mice.

These anthropological studies can help us better understand which genes and cultural practices actually support human language ability.

As a rehabilitative instructor – who helps restore neuromuscular function – related to physical balance, I see music’s strong connection with human movements and communication. I believe that appreciating the rhythm of music began as a survival and training tool to reproduce important everyday sounds. The role of birds in facilitating the survival of humans and other animals has a well-documented precedent. Birds alert us to potential danger, sing us to sleep, relate to multicultural spiritual beliefs, and represent perhaps the first earthly rhythmic entertainers.

The idea that sound manipulation originated to improve our survival by improving coordinated movement and communication for social interaction, reproduction, grouping, and avoiding danger is very evident in the evolution of our brains and neural networks.

When measuring an emotional response to music, one primarily examines the personification of “meaning” – whether a person understands the “meaning” of the various sounds they hear. It seems to be partially inherited genetically (at least prewired), familiar and easily learned during life.

A coherent, organic system that connects our body to the brain’s prewired process (which responds to the sounds and movements we experience during its lifetime) provides this basis for survival.

Absorption of vibration, music, rhythm and even reverberation is said to be the first language to enter the body in sensual form. The original link to the budding social journey that begins in the womb. To understand and understand this indivisible truth — at the elemental level — we need only examine the effect of environmental energy (energy is the basic order pattern of nature) in relation to its effect on pre-born babies and its effect on the communal gatherings that form the basis of personal identity (in the form of rituals of solidarity).

Let’s take the discovery of the world’s first flute as an example.

Archaeologist Nicholas J. Conard of the University of Tubingen, Germany, in 2008 excavated the Hohle Fels Cave, about 24 kilometers southwest of the city of Ulm. A nearly finished flute suggests that the first people who conquered Europe had a fairly sophisticated musical culture. The five precisely drilled holes in the wing bone of the griffon vulture are the oldest known musical instrument (a 35,000-year-old remnant of early human society) that appears to have enhanced social cohesion and new forms of individual expression. communication. This probably indirectly contributed to the demographic expansion of modern humans at the expense of the more culturally conservative Neanderthals.

Social cohesion goes hand in hand with the threshold of social grouping. Humans originally came together and lived together in a community based on faith, trust, and familiarity that intuitively “fits” into the community of human nature. In the past, humanity, like animals, had been very strongly connected to group consciousness and acted as a group to survive. This consistency naturally created a process that could be called enhanced, intuitive communication. In nature, hypercommunication has been used successfully for millions of years to organize dynamic groupings. The organized flow of a school of fish or a flock of birds on a wing proves this dramatically. Modern man only knows it on a much more subtle level as “intuition”.

However, our original form of tribe was developed based on the kind of mental personal information assistant we carry in our heads that connects “faces to places” and allows us to name a member of our tribe even in an unfamiliar environment. This is not an archaic process of social formation, but an ancient one. Until very recently in human history, humans lived in “tribe-sized” groups, and our tendency even today consistently brings us back to that comfort zone. For example, it is no accident in modern literature that the Bard has retired King Lear from the throne, but retains 100 knights around him to preserve his perception and the persona of the ruler’s “royal” community of the realm.

Although the formation of personal identity is literally half of this social understanding of the evolution of music and language, an integral part of the formation of “community” is found in the group personification of sound. In order to develop and experience individuality, we humans had to mask, or perhaps more accurately, mask our nascent personality in musical form and expression. Hence the necessity of a social gathering (which wanted to evoke and direct an emotional response) that acoustics and rhythm play an integrative role. These aspects of ambient sound play a vicarious social role, resonating the biosphere to enliven audiences and ultimately strengthen community. For a cross-cultural emphasis, the Renaissance Indian ritual of Astakaliya Kirtan, in which long chants are accompanied by rhythmic drumming to mesmerize the participants, is an example.

Fragrant Sound

However, movements outside the hearing range are still rhythmic and serve us in much the same way as audible sound. We feel movement through the three balance centers of the body. These systems all connect fluid to electrical impulse through the central nervous system (brain and spinal cord), skeletal structure, and musculature. It is a complex system that works as a team to provide the right result to properly stabilize the body against the forces of gravity. Body movements depend on messages to and from the brain’s control room. The brain remembers movement patterns through rhythm, not individual muscle interactions. So even our sense of smell can tell us the direction when it is unclear.

For example, the multidisability theory, which studies the evolution of the human nervous system and the origin of brain structures, assumes more of our social behavior and emotional disorders as biological – that is, they are “hardwired” into us – than usual. to think

The term “polyvagal” combines “poly,” which means “many,” and “vagal,” which refers to the longest set of nerves in the skull, called the vagus (affectionately, the “vagrant” nerve). To understand the theory, a deeper understanding of the vagus nerve must be carefully considered. This nerve is the primary component of the autonomic nervous system. A nervous system you don’t control. This makes you do things automatically, like digest your food. The vagus nerve leaves the brainstem and has branches that control the structures of the head and several organs, including the heart and large intestine. The theory suggests that the two different branches of the vagus nerve are associated with the unique ways we respond to situations we perceive as safe or dangerous by properly positioning the body for flight or fight. Significantly, this nerve uniquely interacts with the only muscles in the body that are supplied by the cranial and spinal nerves around the neck and upper back (sterno cleido and upper trapezius). These muscles also intertwine with the olfactory side of the limbic brain so that we instinctively turn our heads to detect the direction of potential danger.

So it is easy to understand how we feel sound vibration and movement with our physical body and that our body is able to perform cognitive tasks to support the multitasking of the brain. Using our bodies in this way helps with a certain type of survival intelligence. Especially since our bodies are hard-wired to recognize rhythmic patterns, with sensors in every joint. This allows us to communicate, think, remember and perform cognitive tasks partially with our body.

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